Faith No More at Studio Coast, Tokyo 18 February: set list, videos, vines, photos, tweets and more

We’re back for more of the same as yesterday as the guys play their second Tokyo date.

Updates beginning to come through and the band have given a live debut to Sol Invictus track Cone of Shame.

And here is the set list courtesy of Twitter user @teeeechbx
Cone of Shame
Epic
Ricochet
Get Out
Last Cup of Sorrow
Evidence
Midlife Crisis
Everything’s Ruined
Gentle Art of Making Enemies
Easy
Cuckoo for Caca
King for a Day…
Ashes to Ashes
Superhero

Encore:
Spirit (with an intro by a Japanese Throat Guy)
Matador*
We Care a Lot/Motherfucker*
Pristina

* in printed set list but may not have been played

FAITH NO MORE＠新木場。かっこよすぎだった！ビル・グールドのベース！マイク・パットンのボーカル！ヒカシューの巻上さんもアンコールでゲスト！最高だった！ pic.twitter.com/AOGUtrMA2m

— くるてっく☆ (@teeeechbx) February 18, 2015

Post by Faith No More.

February 18th, 2015|Faith No More, News, Tour dates|6 Comments

6 Comments

Ben February 25, 2015 at 4:38 am

Puyol, thank you for your recap! I looks like Mike said the “eat the poopoo” line at soundwave also.
Puyol February 25, 2015 at 3:47 am

No, no Matador nor Motherfucker. The second encore was not to be.

Some loose impressions after a week or so:

I’m based in Osaka but was able to go to Tokyo and see both shows.
The opening day was kinda weird, FNM without keyboards, for 90% of the show. Everyone, including the band members, was expecting the keyboard trouble to be rectified any minute, constant anticipation of things going back to normal. During which, the band played virtually all no-keyboard songs, like Get Out and Surprise You’re Dead and all. It was unpolished and dirty and tense. The keyboards got fixed after an hour or so. Superhero to finish the show was sensational.
The second day, first of all there were 2-3 times as many people compared to the first day, for some reason. The band was relaxed after a soak in an onsen. They opened with Cone of Shame, which is an excellent new song and was definitely one of the highlights of the two shows. Cuckoo for Caca live was beyond belief. At the start of the show the lead singer Mark Payton went into one of his signature mongoloidal monologues, the theme being “Eat the Poopoo” this time. At some point not much later after that he got annoyed at some guy taking a video with his phone and took a crew member’s phone and took a 30 sec or so clip of the audience, during Midlife Crisis or Evidence, I don’t remember, saying “How does it feel?” or something like that. Toward the end of the show, it looked like the guys were getting tired – you know how onsen makes you sleepy after a while. I speculate that might have been the reason for giving up on the second encore, which is a conefull of shame as Motherfucker was on schedule.
All in all, unforgettable. Both nights, about 30% of the audience were 外人. So I didn’t feel special at all, in that respect.
Kayo February 18, 2015 at 7:05 pm

The throat-chanting Japanese guy is Makigami Koichi, a well-known vocalist in Zorn’s circle:

https://twitter.com/MAKIBRI
Ti mort February 18, 2015 at 4:49 pm

Gonna need a few listens. Come of shame certainly doesn’t blow me away, that’s for sure…
admin February 18, 2015 at 3:14 pm

Thanks again Puyol
Just to check – no Matador or Wea Care a lot/Motherfucker as in the printed list?
Puyol February 18, 2015 at 2:09 pm

Tonight’s setlist:

one new song
Epic
Ricochet
Get Out
Last Cup of Sorrow
Evidence
Midlife Crisis
Everything’s Ruined
The Gentle Art of Making Enemies
Easy
Cuckoo for Caca
King for a Day
Ashes to Ashes
Superhero
Spirit with an intro by a Japanese Throat Guy
Pristina

Recent Comments

On Ghost's Tobias Forge praises hard-to-define Faith No More (19)
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- Benrun { Jim's cover of The Pogues' Navigator on his Milk & Blood album is excellent...I listen to that one all the time. I also really like Hunter Shepard a lot. It was a really good album that I think just didn't get enough attention or sell well enough. I think he's got a family and perhaps staying in music to not quite make a good living while also always being away from them may have resulted in his staying home and pumpkin farming. When he played for Infectious Grooves he had commented that he may make more music and to stay... } – Jan 12, 3:05 AM
- Benrun { So Jim can take credit for all the music for Jizzlobber and for going out and recording that swamp cricket sample in the beginning by himself. Bill Gould wrote the keyboard outro. Interestingly during live sets, while Roddy mimes playing it, it actually one long sample that he plays...this is clear from that one clip where Patton totally tackles Roddy and his keyboard and they are out of commission, but the outro plays out just fine! Patton wrote the lyrics and vocal melodies. Now whenever someone writes the meat of the song and has a vision for it, it still... } – Jan 12, 2:54 AM
- Benrun { Adrian's book sheds light on this topic quite a bit. But here is an entertaining link where Bill and Jim again squabbled in the press/blog world: https://music.mxdwn.com/2012/11/14/news/faith-no-mores-bill-gould-responds-to-former-guitarist-jim-martins-songwriting-claims/ } – Jan 12, 2:49 AM
On Roddy sheds light on Faith No More future in new interview (8)
- KingCol { I especially like pattons lyrics because they are all mostly metaphors and similes and not shoving any message or opinion towards me as a listener - (can’t listen to rage against machine for that reason) but although I’m a big fnm fan my real musical love is live performances and musical poetry and uniqueness.. and it just so happens that fnm (Patton era) really delivers in large abundance in that area . The unity of the band, the energy and fussiness for perfection in Pattons live performances and their consistency to deliver a good show every time is outstanding. Other... } – Dec 24, 12:49 AM
- Benrun { That's a good way of putting it...I agree Patton gave FNM a 5th instrument that was as strong as the others, the winning hand. Chuck served to set the mood and feel of the band for years to come however...that sardonic, witty, theatrical, and emotional balance. What Chuck had in his delivery was the conviction of his personal feelings and the best his voice could do (which wasn't that much for sure). With Patton, I don't doubt his conviction to the songs and I enjoy his lyrics better than Chuck's in many songs, but he's in character and detached, even... } – Dec 23, 11:05 PM
- KingCol { I also remember a conflicting interview with Patton slatting artists who moan about people recording their live shows (phones etc) saying that it never annoys the band (fmm) In relation to chuck being a boring singer (my opinion) yes he comes from a different vocal style background but in contrast to pattons background - mr bungle , in which like Fnm is surrounded by a wealth of musical madness and top of the pile talent , the vocals are exciting, different and basically a musical instrument. Layne Staley was another vocalist who just had it and just finished off the... } – Dec 22, 2:48 PM